Sweet Home Indeed

Well ‘Bama, you did it. Or I should say, black female voters of Alabama did it but hey, let’s credit half the state at least. An accused pedophile who really doesn’t know how to ride a horse and carries a toy gun will not be joining the US Senate. The Republic stands!

About this song. Most take it as a rebuke of Neil Young but really it’s about Ronnie Van Zant telling his hero Neil that they’ve got this and don’t lump us in with the racists. Young later concluded they were right. From Wiki:

“Music historians point out that the choice of Birmingham in connection with the governor (rather than the capital Montgomery) is significant for the controversy as “In 1963, the city was the site of massive civil rights activism, as thousands of demonstrators led by Martin Luther King, Jr. sought to desegregate downtown businesses… [and] was the scene of some of the most violent moments of the Civil Rights Movement. Segregationist police chief Bull Connor unleashed attack dogs and high-pressure water cannons against peaceful marchers, including women and children; just weeks later, Ku Klux Klansmen bombed a black church, killing four little girls.”

In 1975, Van Zant said: “The lyrics about the governor of Alabama were misunderstood. The general public didn’t notice the words ‘Boo! Boo! Boo!’ after that particular line, and the media picked up only on the reference to the people loving the governor.” “The line ‘We all did what we could do’ is sort of ambiguous,” Al Kooper notes. “‘We tried to get Wallace out of there’ is how I always thought of it.”[5] Towards the end of the song, Van Zant adds “where the governor’s true” to the chorus’s “where the skies are so blue,” a line rendered ironic by the previous booing of the governor. Journalist Al Swenson argues that the song is more complex than it is sometimes given credit for, suggesting that it only looks like an endorsement of Wallace.[5] “Wallace and I have very little in common,” Van Zant himself said, “I don’t like what he says about colored people.”

Music historians examining the juxtaposition of invoking Richard Nixon and Watergate after Wallace and Birmingham note that one reading of the lyrics is an “attack against the liberals who were so outraged at Nixon’s conduct” while others interpret it regionally: “the band was speaking for the entire South, saying to northerners, we’re not judging you as ordinary citizens for the failures of your leaders in Watergate; don’t judge all of us as individuals for the racial problems of southern society”.”

So congratulations to Doug Jones and the state of Alabama. You’ve made us all proud.

About jeroljohnson

I guess I'm the crying on the inside kind of clown
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